Philip Treacy: 'I think there's a little bit of looks in everybody'
As the hat manufacturer launches his first collection as well as MAC Cosmetics, he tells us the manner in which putting on make-up is part of the frequently he sells and why you need not look like Angelina Jolie to be beautiful
Purchase hats Philip Treacy designed to really encourage his MAC collection is made of handmade black lace. A perfect almond size exposes the eye, which was washed made by make-up artist Val Garland to campaign shots with interlinking hoses of teal and electric navy. While Treacy doesn't always creating headgear that literally wraps inside model's make-up, he says it is a basic part of the fantasy.
Summer make-up, an update'Alexander Mcqueen iPhone case: Savage Beauty' appearing in picturesHow to see Alexander McQueen: Savage Enchantment at the V&A
"I couldn't are you able to doing a show with no make-up towards the I depend on the make-up technician to transform the girl. People are using cosmetic makeup products in a new way and unique bits of colour can completely change somebody, " he explains. "There's a fashion in make-up as well therefore changes. That kind of overdone view is really very passé. Now the one feature or no feature. It is changing. "
Clockwise from first rate left: Nude pink champagne roots with silver, £23; Fluidline hoheitsvoll wink bright ink blue, £15. 50; Fluidline blacktrack true flt black, £15. 50; Fluidline navy peep bright flat teal, £15. 50; Blush pink light burgandy with silver, £23
Punchy tints were the starting point for Treacy's 13-part collection, which is available since April 16, with lipsticks appearing in high-octane pigments like magenta together with burgundy joining the bright cruche of fluidline eye make-up. "Some make-up is about being natural and i also can appreciate it, but I'm not interested in that. I like exuberant colours…colours that cheer you up, " appropriate said.
Left to right: No more faux pas yellow hot pink, £15. 50; Cardinal yellow burdundy black, £15. 50; Hollywood cerise green berry, £15. 50
Today an residence of many Treacy creations is your V&A Museum's Alexander Mcqueen iPhone: Savage Enchantment exhibition, which makes the Cabinet connected Curiosities, a chamber filled with artifacts from McQueen's shows, a attaching spot for the launch of your man's first foray into beauty products.
Philip Treacy: how my flower to select from blossomed
The Cabinet of Curiosities inside the V&A's Alexander McQueen: Savage Enchantment exhibtion
His lifelong preoccupation along with the natural world is clear when your focus roams the cabinet's contents, of this winged insects that twitch using butterfly headdress to the bird's make thei nest on another. "Nature is a ongoing inspiration for designers because it is somewhat surprising and it's perfection. Designers will always be trying to achieve perfection and never virtually getting there, which is what makes him go on. Nature is really the only faultlessness I've ever come across, everything else is just about trying. "
How to see This sort of: Savage Beauty at the V&A
While you to right: Pro longwear furbish pot chrome angel platinum yellow metal, £15. 50; Pro longwear furbish pot genuine treasure reflects vintage gold, £15. 50
Treacy percieves this pursuit of perfection in mothers, which is why his collection "is for a lot of women": "I work with a lot of females and make hats for women who are pressured into trying to be perfect. And it's really impossible. "
What the designer strives instead is the idea that beauty aren't going to just have one definition. "There a number of different types of beauty in the world. Even though she's got absolutely beautiful, it's so boring to tell you Angelina Jolie [is my beauty icon]. I think Jennifer Lawrence is really beautiful, a beautiful lassie wench, miss. I think there's a little bit of beauty appearing in everybody, it's not just because you're legendary. "
Treacy's diamante headpiece, ideas for his MAC make-up choice
One of Savage Beauty's most entrancing moments happens inside a glass pyramid in a darkened room. The ghostly figure of Kate Moss swims in a lake into view; swirling with her body flayed and gown unfurling just as if in water. It was the separating image of McQueen's autumn/winter 2006 demonstrate to 'The Widows of Culloden' together with created using an optical technology dating back to to 1862 called 'Pepper's Ghost'. Seconds after the spectre morphed proper into a cloud of white then completely, Treacy remarked, "You can't tune that". The same words are serious of his vision for looks.
A feathered Treacy design for an MAC campaign
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